限制身體的感知 M+「身臨夢境：1950年代至今的女性藝術家環境作品」 （下稱「身臨夢境」）要求觀者入場先脫鞋，某些房間還要彎腰、蹲下，甚至爬行才能進入。這些看似細碎的規條，迫使觀眾以身體參與：碰到材質、感到熱度、聽見聲響在狹窄通道裡回彈。我們不能再以「安全距離」維持觀看者的位置優勢——「身體」本身成為了啟動展覽的條件。 強調體感的策展方式很容易被誤會成近年流行的「沉浸式展覽」，而「身臨夢境」所強調的是，自1950、60年代以來不少以臨時搭建、非傳統材料與現場參與為核心的環境裝置作品。這些作品於展後拆除、只留下照片或錄像紀錄的做法並不罕見。問題在於，當藝術制度與藝術史長期偏愛可收藏、可展示、可複製的物件，敘事自然更傾向交給能被典藏、能在市場流通、較易被博物館長期保存的形式與名字——它們最容易被歸檔、納入「正史」，成為資本與機構共同維繫的可見證據。女性藝術家被壓到邊緣，並不只是缺乏「被看見」，更是她們的創作方式較難被既有制度保存與轉述。Katy Hessel 在《The Story of Art Without Men》指出，藝術「正史」不是單純去

希望本港自主出版、創作人嘅創意同心血，能夠被更多人看見！ 有幸獲得 @後話文字工作室 同 @字字研究所 嘅全力支援，重有26個本港自主出版單位／創作人嘅信任同參與，大家由去年9月開始，靜靜地籌備咗一輪，終於可以細細聲話畀大家知︰...

Green Object-materiality In my review “Travel Art” for Chan Ting’s travelling series in her MFA graduation showcase in 2023, I have...

Trevor Yeung’s Trunk of Desire The moment a person steps into the exhibition space of Soft breath they are greeted by a pungent smell....

"Weee! we weave" Date:2024.5.18 - 6.22 (Tue to Sun) Time: 1 - 7 pm Venue: ACO Art Space (6/F) Opening performance by Soundscape - Chan...

Beyond the Thread: Silent Reflections on Love and Effort Titled "Silent Love," all the artworks are intricate thread portraits of black...

Navigating the Depths of Human Emotion through Art In the realm of human emotions, various mediums, such as drama, music, and literature,...

A Voyage to Homeland The hand-drawn animation "Park Voyage II'' by Florence Lee has been displayed on a 288 sqm LED screen in Hong Kong...

The Vital Role of Artist Branding through Exhibitions In the vibrant art scene of Hong Kong, where numerous galleries regularly host...

Replay as Resurrection A man told me the art space was temporarily closed for video repair while I was tiptoeing through the hallway,...